#sappho

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alatarielqueen
alatarielqueen
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corinthiansenamel
corinthiansenamel

Trying to read/watch more lesbian stuff. I realised I was more “male centered” i thought i was 🥲

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leliavilela
leliavilela

Charles Mengin, Sappho, 1877

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yurifulofjoy
yurifulofjoy

For by my side you put on
many wreaths of roses
and garlands of flowers
around your soft neck.
And with precious and royal perfume
you anointed yourself.
On soft beds you satisfied your passion.
And there was no dance,
no holy place
from which we were absent.

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girlinterrupted24
girlinterrupted24
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ukdamo
ukdamo

[I seek and desire]

Sappho

translated from the ancient Greek by Bliss Carman


I seek and desire,
Even as the wind
That travels the plain
And stirs in the bloom
Of the apple-tree.

I wander through life,
With the searching mind
That is never at rest,
Till I reach the shade
Of my lover’s door.

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treasuresfromthearchives
treasuresfromthearchives

Sappho

Julia Margaret Cameron British, born India

1865

“Mary Hillier, a beautiful young house servant at Dimbola, Cameron’s home in Freshwater, was often pressed into photographic service, frequently in the role of the Virgin Mary. She managed to assume her various guises in a remarkably unselfconscious way, projecting both gentleness and strength of character. Hillier is also the model for Cameron’s Sappho, a profile portrait in the Florentine Quattrocento style, perhaps inspired by the chromolithographic reproductions of Italian paintings distributed by the Arundel Society, of which Cameron was a member. The image has great presence, so much so that Cameron decided to print it even though she broke the negative. Precisely what the picture has to do with the Greek poet of Lesbos is unclear, especially since Cameron inscribed another print of the same image Adriana. The titles of two close variants reveal that, by looking left instead of right, Hillier was apparently transformed from Sappho into Dora or, when photographed from one step further back, Clio. Although Cameron often set out to portray a certain ideal, she also titled pictures after the fact, sometimes because the image seemed to embody the character of a certain literary or biblical figure, but sometimes, one suspects, quite simply because there was more of a market for images of the Virgin, Sappho, or Christabel than for portraits of the photographer’s niece or a parlor maid from the Isle of Wight.”

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anglptera
anglptera

let’s all cry about fragment 83 together

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amaryll1ss-j
amaryll1ss-j

Intellectual conversation about Shakespeare with my sister

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katthedoodlecatcher
katthedoodlecatcher

Are you even sapphic if you don’t fw Kacey Musgraves on some level

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7pleiades7
7pleiades7

Sappho (1913) by Julius Kronberg (Swedish, 1850 – 1921), oil on canvas, 146.5 cm (57.6 in) x 181.5 cm (71.4 in), Private Collection

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pixiefairyshit
pixiefairyshit

Lure me to rapture

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eucanthos
eucanthos

eucanthos

  1. The Poetess Sappho, 1819, Circle of Jacques-Louis David
  2. Maison Margiela Artisanal 2025 Collection [mask-hood]
  3. Henri Fantin-Latour, Roses (and Lilies) 1888
  4. Dryer hairdressing salon vintage tubes
  5. Christina Kubisch EROTICA [condom flute]
  6. Antoine d'Agata – Oscurana [anatomy]
  7. Kelsey Dylan [pubic hair]
  8. Bettina Rheims Nu de dos attaché à Mon lit 1981 [notes]
  9. Ionic capital explanatory technical drawing

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isuggestsnuggles
isuggestsnuggles

Hopelessly devoted

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womansexuality
womansexuality
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bitsypookums
bitsypookums

a timeline of sapphic women from 6th century lesbos (where one fails to weave due to love of a girl) to medieval Ireland (where a nun and a lay woman touch only by holding to the same Brigid's cross) to Harlem of the roaring twenties (where two women dance amid a joyous music hall) to now (where two women reach through a separate screens to hold hands). ALT
a close up of two greek women flirting playfully across a loomALT
a close up of a nun and a lay woman set in stained glass, almost touching as they hold the same woven crossALT
a close up of two women dancing the lindy hop together with warm smilesALT
a close up of a masc woman reaching through a screen, her hand turning all the colors of the rainbow as it reaches out past what she should be able to touch. Around her are a few symbols of modern times and historic connections - a "looking for group" icon from FFXIV; an image of a trumpet player from 1920s Harlem; a tiny figure of Utena Tenjou from Revolutionary Girl Utena; a copy of the rose window from the stained glass earlier in the timelineALT
a woman with a drawing tablet and pen holds the rainbow hand reaching through her screen with a bittersweet and affectionate smile on her faceALT

Even In Another Time

A timeline drawn for Pride 2025 ruminating on how we’ve always been here in one form or another, no matter what anyone says.

The greek is from a Sappho fragment that inspired the idea in the first place:

“I swear, someday, someone will remember us - even in another time.”

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elkattacks
elkattacks

I’ve read a couple translations of Sappho and came across my notes again. Just some passages that really struck me with their beauty. Example:

“…As sometimes at sunset the rosyfingered moon surpasses all the stars. And her light stretches over salt sea equally and flowerdeep fields…”

Sappho 96, translated by Anne Carson

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smallrituals
smallrituals

— “If Not, Winter: Fragments of Sappho” translated by Anne Carson

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smallrituals
smallrituals

— “If Not, Winter: Fragments of Sappho” translated by Anne Carson

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ukdamo
ukdamo

I seek and desire

Sappho

translated from the ancient Greek by Bliss Carman

I seek and desire,
Even as the wind
That travels the plain
And stirs in the bloom
Of the apple-tree.

I wander through life,
With the searching mind
That is never at rest,
Till I reach the shade
Of my lover’s door.