#scribes

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dxsole
dxsole

I HAVE ALWAYS THIRSTED FOR KNOWLEDGE

Setau Darwishi

Face | Traits | Lore | Threads | Playlist

It’s difficult to get through life knowing in the back of your mind that you were alone; Setau’s mother, apparently the one person who had been happy about his existence, died after his birth, having only moments to hold her child and whisper a blessing over his life before passing.

[[MORE]]

No one seemed to know who his father was and he was constantly reminded of that fact throughout his childhood. Children at school could be so cruel, crying out on the playground that he was a love child, a bastard, not like them and instead someone who should be ashamed of their very existence– Well, at least now he had one other person who was always happy to see him.

His mother had been a museum curator in Cairo and left a legacy of knowledge and good friends behind her. Thankfully, after her passing, Setau’s godfather, Idris Tammam, took ward over his dear friend’s son. Setau grew up knowing he was adopted but not minding it all too much as Idris knew his mother well and always had stories to tell him of her. It was bliss at first, growing up with someone who cared for him and respected him greatly, always encouraging him and brightening his day. It got to a point where Setau considered Idris his father and that was all there was to it. Those were the most carefree years of Setau’s life.

It all seemed to end when Setau turned fifteen, however. His true father revealed himself to him, materializing from the sand one evening, telling his story and explaining what had happened with his mother.

Thoth wasn’t…anything like what Setau was expecting— in fact, he hadn’t even been sure if he believed him…Thoth? Really? A god?

Setau’s entire worldview is shifted and he questioned…his faith, his life, his past, his capabilities— it all came under scrutiny. To make matters worse, Thoth bestowed a single gift upon his son, something he had promised his mother. From that day forth, Setau had abilities that he could barely control and was both frightened and exhilarated by them. Matter stretched and shrunk at his command. Fire and sand and wind moved at his will. A power he had never encountered before now coursed through his veins. 

Now that Setau is much older, he has a better handle on his magic but still keeps it and his godly parent a secret as best he can, only using his powers when he knows he’s alone…or to help another. Thankfully, he’s chosen to become a writer, and isolating himself on a piece for the magazine he works for allows him plenty of alone time to refine his powers…and come up with good excuses whenever they get out of control.

Hometown: Cairo, Egypt
Birth Date: July 29, 1989
Orientation: Asexual
Height: 5'11"
Pets: A number of African Fruit Beetles

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tcfbr-2020
tcfbr-2020

“ C R E A T I O N : Music & AI ” 

[ t h e s i s , excerpt : body ]

Sect One

Introduction to AI & Value Impact to Creative community

As a novel software engineer who is entering the space of Artificial Intelligence ( AI ) , the first ideal of knowing where to start reflects the thought process of life : listen to those who have more experience and success in the space and direction that’s the intention to go .

So amongst the research , here is an excerpt from Dale – a computer science research fellow at Carnegie Mellon – on a beginner-level understanding of the mechanics of AI :

“ … To make a long story very short (and probably overly simple), researchers in Artificial Intelligence (AI) started by writing programs to solve difficult problems that had no direct algorithmic solution. Early AI programs used a variety of techniques, especially sophisticated forms of search. It became apparent that humans solve many problems using prior knowledge to guide their search, so AI researchers began to study knowledge acquisition and representation. “Expert Systems” emerged from this and found many applications. As researchers continued to tackle hard problems, some began to look for ways that computers could acquire their own knowledge, thus “learning” about problems and their solutions. In many cases, machine learning systems have been found to surpass systems based on manually coded knowledge…”

With this in mind , the understanding of the system that holds the language learning models , that enable supervised and unsupervised trainings that streamline the accuracy of these intelligence models became the next step . Yet , a wall approaches – the general consensus of the AI technology community is that the functioning of this ( as in Ai ) is a black box; even the founder of OpenAI , one of the leading open source artificial intelligence models in our planet , admits quite in awe and unashamedly , “ there’s really no way to know … if [ the software ] is thinking that … or if [ the software ] just saw that alot of times in the training set … ” . So , with this black box in mind and a future of technologies to understand and safeguard for as an usability- and accessibility- minding UX Engineer - i.e. a product designer with software engineering capabilities – the ideation continues into this research proposal you read now .

Introduction of industry & value impact to creatives engineers & artists

In the history of the music industry , which shall be in reference as the “ Industry “ interchangeable throughout this publication , there has been a myriad of examples made of the artists that provide the feeling , features and arts and therefore assets to capitalize upon – as the industry did . Such with example , what is meant here is the idea that artists were faced with exploitation via advances that left them penniless after the books were balanced and some still had to stay within contracts for longer than understand to continue to pay off the debts incurred via partnerships ; with families left in wreckage , family fortunes in depletion and the health ( spiritual , emotional , mental , physical ) in disarray , should we just look away and move forward ?

Perhaps ; forgiving is a stressless way of living and should be an absolute decision to heal . Yet , what if we can do both : heal & rectify ?

Say there was a way ( i . e . an artificial intelligence model ) that could look into aiding the artists in recouping lost payouts and revenue from the many amounts when their art and creations have been of use via samplings – sample(s) or sampling(s) shall be in use interchangeably as well - and therefore the enablement and showcasing of more creations ( especially , audios such as streams , etc . )

Sect Two

Research : Artificial Intelligence , Large Language Models and Sonic Transcriptions

So , what’s the engineering , structure , technology stack(s) of Ai ? the ideations and design ? Well , the research into Voice AI is quite of interest .

Technology

Within the field of transcriptions , some models have been described to “ compute… probabilities of symbolic sequences, and so is trained to give a high probability to such sequences from … [ the ] training dataset” .

In simpler terms , there’s an ability to look at sound in another form ( i.e. a symbolic sequence ) and hold many comparisons to see how close the sonic you are asking of , relates to the sonic(s) within the training set(s) . The more comparisons that can be tracked within the Ai model , that then can be seen and verified by the artist(s) who create the sonic(s) , continually specify the accuracy of model(s) .

In the space of sonic transcriptions , the focus of relation within artificial intelligence technologies are large language models . This principle shall be in explanation below .

Large language models largely represent a class of deep learning architectures called transformer networks. A transformer model is a neural network that learns context and meaning by tracking relationships in sequential data, like the words in this sentence.

A transformer is made up of multiple transformer blocks, also known as layers. For example, a transformer has self-attention layers, feed-forward layers, and normalization layers, all working together to decipher input to predict streams of output at inference. The layers can be stacked to make deeper transformers and powerful language models. Transformers were first introduced by Google in the 2017 paper “Attention Is All You Need.”

There are two key innovations that make transformers particularly adept for large language models: positional encodings and self-attention. 

Positional encoding embeds the order of which the input occurs within a given sequence. Essentially, instead of feeding words within a sentence sequentially into the neural network, thanks to positional encoding, the words can be fed in non-sequentially.

Self-attention assigns a weight to each part of the input data while processing it. This weight signifies the importance of that input in context to the rest of the input. In other words, models no longer have to dedicate the same attention to all inputs and can focus on the parts of the input that actually matter. This representation of what parts of the input the neural network needs to pay attention to is learnt over time as the model sifts and analyzes mountains of data.

These two techniques in conjunction allow for analyzing the subtle ways and contexts in which distinct elements influence and relate to each other over long distances, non-sequentially. 

The ability to process data non-sequentially enables the decomposition of the complex problem into multiple, smaller, simultaneous computations. Naturally, GPUs are well suited to solve these types of problems in parallel, allowing for large-scale processing of large-scale unlabelled datasets and enormous transformer networks ,” - Nvidia .

Let’s get into the analysis of the problem definition , ideation and prototyping stages …

Analysis :

Information retrieval of data training set , music of AfroDiasporan community

and

Transcript comparisons ( for sampling identification of artist within sonic )

problem definition

May voice ai be able to compare sonic transcriptions - and via information retrieval - be able to distinguish the original sonic ( and artist of creation ) within a sample ? ; therefore , strengthening artists’ ability in receiving retribution for oversights felt in their experience(s) with the industry for music .

So , how does information retrieval work again ? This pattern recognition and output feature receives beautiful explanation here :

Machine learning : Nvidia .

Now let’s keep in mind the safety checks ; if one continues to see , creating and innovating technology without maintaining awareness on the safety checks is like flying into the sun . There’s better ways .

So , in being aware of the community who is interacting with these artificial intelligence technologies , some concerns become apparent , such as :

“ when [ the artist ] haven’t consented to [ this ai tech ] … how are we gonna navigate this … should this be … people who consent … or any name in a prompt … they should consent … “ – Chris Anderson , TED

“ … the question of where the line should be … and how people say this is too much … [ should be ] sorted out … before … via .. copyright law … fair use … ” – Sam Altman , OpenAI

“ definitely a change … i have empathy towards those who [ say ] … i like how things were before … there should be … in principle … a way … to calculate some sort of revenue share . no ? … i think it’ll be cool to figure out a new model … in the name of this … artist … and theres a new business model … “ – Sam Altman , OpenAI

“ … Even if an engineer has good intentions, their uncritical treatment of data and their resulting systems might become instrumental in producing great social and economic harm … ” – Bob Sterm , Maria Iglesias , Oded Ben-Tal , Marius Miron , Emilia Gòmez .

ideation + prototyping

So let’s look at a wireframe , a visual to add in the comprehension of the engineering task at hand : voice ai – the use of language models to identify artist contribution to samplings , currently within database .

To keep in mind such concerns , these ideations rose :

artists consenting to audio files within database ,

the metadata of audio file may pass through a boolean check to verify if the audio file is of an artist that already has statement of consent to involvement with this ai software ; specifically , the name of artists who consent may be held within a list for searching/scanning ;

a model to calculate revenue for artists ,

the audio files that the audience prompts to scan via uploading ( i.e. upload feature ) will pass as input through method(s) to retrieve such information ( i.e. name of vocalists , name of instrumentalists , stream duration , etc . ) . The successful retrieval of this information may be in use via the notification of consenting artists , to whom tracking and knowledge of statistics translate to revenue via streaming , etc .

engineering oversight ( esp . uncritical treatment of data ) that may lead to social harm ,

via experience in professional and educational spaces , engineering oversights due to biases are made well with the solution of diversification of the engineering team , as well as attention to well-beings. The engineers who supply code and supervisional trainings to these intelligence mods are just as human and prone to mistake as the audience who interact with such models for advancement ( esp. social , professional , creative ) .

In acknowledging the affinities ( i.e. safety of audience-technology relationship , feature to ascertain revenue opportunities for artists , successful information retrieval of data ) of the feedback seen via research – please see “ Quoted Material” for more - this user story arises , among many .

“ As a user ,

I would like to upload an audio file ,

So that I can see such information of the samplings within audio file such as vocal artists , instrumentalists , and engineers . ”

Onto wireframes !

Home Screen

Upon entering app , the feature to upload a sonic for analysis is in position of highlight , along with waveform motion graphic for visual engagement while downloading . ‘ AAA’ or ‘ Audio Analysis for Accreditation’ , TAP .

Log Screen

upon navigating to screen via nav bar , the features to access a list of the songs – and metadata of relation ) that were in analysis previously . ‘ AAA’ or ‘ Audio Analysis for Accreditation’ , TAP .

Profile Screen

Upon navigating to screen via nav bar , the features to access personal account settings – biography , privacy , etc . ‘ AAA’ or ‘ Audio Analysis for Accreditation’ , TAP .

Sect Three

testing + engineer handoff & …

CONCLUSION

Is there any right , that the designer of such an AI should retain? What would be the impact of maintaining the status quo, or of passing new rights in the market of human created and/or AI generated works? As our survey of copyright law indicates, technological developments challenge established norms. The distant future sketched above suggests that there is a need for fundamental re-thinking in this area ; and as technology and advancements , all shall continue .

Of course, the inevitability of such a sonic-sampling identifying AI should be taken with a grain of salt. Human creativity can surprise in its ability to incorporate new technologies … feel free to share where you draw the line of possibility .

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wisdomfish
wisdomfish

…Jesus began to show His disciples that He must go to Jerusalem, and suffer many things from the elders and chief priests and scribes, and be killed, and be raised up on the third day.

Peter took Him aside and began to rebuke Him, saying,

“God forbid it, Lord! This shall never happen to You.”

But He turned and said to Peter,

“Get behind Me, Satan! You are a stumbling block to Me; for you are not setting your mind on God’s interests, but man’s.”

Matthew 16:21-23

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mindofthebrick
mindofthebrick

Fosure scribe

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terra-tortoise
terra-tortoise

annoyingly ive got a renewed interest in flight rising immediately after notn ends RBC Mass Hatch baby, cant decide between capsule and glimmer but i only saved one glimage (glimmer image)

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vulturesouls
vulturesouls

Ink drawing of a “Native Writer”, India, 5th April 1827, by George Dartnell

British Museum

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demigoddumbass
demigoddumbass

A study recently came out showing that ancient Egyptian scribes have the same posture issues to some of the same levels that most people have today quite fascinating. I’ll link it if I can find it. 

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baroquebutcher548
baroquebutcher548

Those who Gave us History

An image of an old Tower, once part of the collection known as the Towers of the Scribes located in the Isles of FilesALT


Most instances of history of old have many accounts written, with differing viewpoints and opinions. And the purpose of those who labored and lived within the Isles of Files was to collect, copy, preserve, and otherwise assure that written history was made accessible and protected. Generally folk of towns far away knew of these people, but would seldom journey to them, as this was partially impossible (and not exactly enjoyable).

These Isles were massive towers of stone, constructed and maintained just over the waters of the ocean, hardly off the coast to the south-and-east of one of the northern-and-eastern segments. It was fortune alone that such many isles were naturally occurring, however the rocky mountain coast also provided more structural advantages, should the need for more Towers ever occur.

There were Masters of Scribing and Copying, as well as elites who dedicated their whole lives to the preservation of knowledge. It can be assumed that with the fall of Rhaem of old and the destruction of the great book-house of Thraxius the Great, poorly taken care of by his son Thraxius the Lesser, was what prompted many folk to pursue this as a career and way of life. Far from fire and harm, the Towers were constructed in a way what they sun’s light would illuminate many levels, though there was aid of lune-stones along the inner walls. Open flames were not permitted.

The true beginnings and foundations (literally) of the Towers is unclear; some estimate that the Order was began instantly once the settlers arrived off their ships, hungry and exhausted. Of course, towns and villages do not appear overnight (though some are destroyed in half the time, as was apparent by their exodus from the continent across the sea and to the south-east). Certainly it was many centuries before the Order became known of and common in this new land.

To avoid corruption and needless hierarchy, the Leaders of the Order were often removed after a time, provided they fulfilled their duties (and forceful removal due to tampering hardly occurred, for all understood what was at stake). Members were allowed to vote should they feel that any misinformation was being rerecorded, or handed about and told as truth. Certain gatherings of information or legends were taken verbally from townsfolk (once towns became in true existence) but the discernment of truth from memory did prove challenging. Legends and myths had their own Tower (or collection of Towers) and History and Information were the most numerous. These Towers were considered of utmost import.


What exactly caused the downfall of Rhaem was of speculation, and though there were many settlers immediately from that place, few knew of its intricacies. The rulers fell first; perhaps great fires or illnesses broke out, and sure enough people banded together on massive ships (which may have been prepared by wise folk prior). These ships made haste across the sea to the north, though it was many days of travel from the old urbans across the woods and finally to the coasts.

One issue with these histories is that the Scribes from the Order have struggle with: the creation of maps. Plenty of geography is written about but there are few illustrations; what survive are best-guesses and estimates of the general layout of the land. To cross it entirely from one side to the other would take perhaps thirty or sixty days.

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sca-nerd
sca-nerd
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mybeautifulchristianjourney
mybeautifulchristianjourney

The Tradition of the Elders

1 Then came to Jesus scribes and Pharisees, which were of Jerusalem, saying, 2 Why do thy disciples transgress the tradition of the elders? for they wash not their hands when they eat bread. 3 But he answered and said unto them, Why do ye also transgress the commandment of God by your tradition? 4 For God commanded, saying, Honour thy father and mother: and, He that curseth father or mother, let him die the death. 5 But ye say, Whosoever shall say to his father or his mother, It is a gift, by whatsoever thou mightest be profited by me; 6 and honour not his father or his mother, he shall be free. Thus have ye made the commandment of God of none effect by your tradition. 7 Ye hypocrites, well did Esaias prophesy of you, saying, 8 This people draweth nigh unto me with their mouth, and honoureth me with their lips; but their heart is far from me. 9 But in vain they do worship me, teaching for doctrines the commandments of men.
Matthew 15:1-9 | Authorized King James Version (AKJV)
The Holy Bible: Authorized King James Version; Cambridge University Press, the Crown’s patentee in the UK. All rights reserved.
Cross References: Exodus 20:12; Exodus 21:17; Isaiah 29:13; Matthew 5:10; Mark 3:22; Mark 7:1-2; Mark 7:5; Mark 7:11; John 5:23; Colossians 2:22

Read full chapter

Notes: Matthew 15:1-9 describes a conflict between Jesus and the Pharisees regarding religious traditions. The Pharisees criticize Jesus’ disciples for not following their tradition of ceremonial handwashing before meals. Jesus counters by pointing out that the Pharisees are neglecting God’s commandments in favor of their own traditions, particularly regarding the care of parents. He accuses them of hypocrisy, citing Isaiah’s prophecy about people honoring God with their lips while their hearts are far from him.

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design-aspect-compiler
design-aspect-compiler
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forgottenbones
forgottenbones
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dxsole
dxsole

THEY’RE PEACHY KEEN! | NOT ACCEPTING

Just a celestial being and their shivery demi-god boyfriend and their small horde of beetle friends that they are hand feeding fruit to!!!!!!!!!!!!!!

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julieschulerart
julieschulerart

The Sad Historians of the Pensive Plain. https://jschulerart.etsy.com/listing/460036790

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dxsole
dxsole

SLOW JAMS TO START THE DAY…OR END IT | NOT ACCEPTING

Don’t Wait Too Long - Madeleine Peyroux

You can cry a million tears
You can wait a million years
If you think that time will change your ways
Don’
t wait too long

One of Setau’s biggest setbacks has and always will be his intense fear of things. It stems from his general anxiety, which manifests in a lot of overthinking and catastrophizing— honestly from the time I first made his playlist and added this song to now, I think he’s managed to overcome a lot of his fears (with the help of friends and loved ones he’s met along the way), but it’s still a big part of him.

His fears and worries don’t just hold him back from the usual things, such as social gatherings and trying new things, but for a long time, they stifled his writing. Sure, he was able to write for work and pick at his novel from time to time, but even when he had gotten his first draft completed, it sat for some time.

Editing felt monumental, and then even if he did perfect it to his liking, if such a thing was even possible, what then? Could he get it published? Would anyone want to read it? What if he’s missed the mark entirely and he’s just utterly failed his dream?

At this point in time, doing things scared is still terribly frightening for him, but he’s getting better at it, trying every day to push himself (in small increments) towards what he wants. Technically, he’s done with his novel and is already tentatively reaching out to publishers with whom he has some connections from his work at the magazine. Fingers crossed!

SHE - Winona Oak

She’s coming for you, coming for me
She’s nothing but trouble
She’s walking like me, talking like me
She’s my bo
dy double

Perfect time to point out Didi’s habit of self-sabotage! Didi is a highly ambitious person when it comes to her own personal goals, most revolving around the short-term; get money, get better lodgings, get out of the country, get laid, get control. And with the sometimes extreme measures she’ll go to in order to get these things, it stands to reason that she doesn’t often attempt to thwart her own plans.

And while that is partially true, Didi does have limitations that she sets upon herself that have hindered the needs she often neglects. Didi doesn’t allow vulnerability, so it’s difficult to get genuinely close to her. She’ll go to bed with almost anyone that asks but good luck trying to get her to show something outside of lust or anger. She’s restless and does all she can to not put down roots, leaving connections severed and no home in sight. She cannot be bored, so she jumps from thrill to thrill, danger to danger, sometimes with disastrous results.

In the end, no matter who she may blame for her faults, the one who hurts Didi the most will always be Didi herself. Perhaps deep down she is aware of this, but she also wouldn’t trust a psychologist or social worker or anyone else to attempt to help her change this, so it’ll just continue.

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terra-tortoise
terra-tortoise

new brushes……

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terra-tortoise
terra-tortoise

thats fair, and makes sense!! from what i can recall of my last few years playing its kind of always sat around 5k users (combined visible and invisible) but lately its been 10-12 all the time and i just. with love dont think the casual playerbase doubled in such a short amount of time.

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terra-tortoise
terra-tortoise

in the most neutral way possibly, do staff care that theres 10k “guests” on site kind of all the time now?

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terra-tortoise
terra-tortoise

i dont even like red that much

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terra-tortoise
terra-tortoise

always so wild to me when new swipp trades get added and people have like twice the amount needed. i gotta stop selling the shit in my hoard what if i Need It