don’t follow me into the dark
that limitless no-light space is where
i can grow beyond bounds
you shall not see what is yet unseen
there is nothing to moor your eyes to
and there never will be
don’t follow me into the dark
that limitless no-light space is where
i can grow beyond bounds
you shall not see what is yet unseen
there is nothing to moor your eyes to
and there never will be
sometimes, it’s more fun when the love actually dooms everyone. It existed. It meant something. But it didn’t save anybody. No one was fixed; in fact, people were broken.
It was a torrential downpour that eroded banks, a howling wind that carved a path through wood and stone.
It was not hollow. It was full of blood, a solace sought to fill a hole it could not, any other shred that could be found packed in around it to make it fit.
The choice of violent separation is merely the rest, the composition must go on, and winding toward the erratic end means everyone else must lose something. The note of second impact rings true and the resonance frequency rattles everything else apart.
A toast; to those who cannot keep their lips from the flask, who drink love and won’t swallow it, while the rest of the world deals with the fire it set.
There is a hole in the yard that resembles a grave but isn’t
If you dig down far enough, the soil becomes firm to the touch
but easy to mold against palms
or persistent enough lips
A soul is like that, I think
get to the layer surrounding the core
and it shies, strikes, or softens to the hand reaching out
There are places it fits without manipulation
Slotting perfectly into a corner or stretch of the universe
curled up or splayed out - however it finds its glory
There is a hole in the ground you can lay in with another soul
but only if you press and puzzle yourselves together
lying in something recognizable but easily mistaken
You can gasp at your second-deepest layer becoming pliable and resembling another’s edge
Or have they both been devised into something entirely new?
(but not foreign, no longer ever foreign)
there is no coffin but you are six feet deep
“why would you willingly commit yourself to the grave?”
A little death, as a treat -
True comfort is knowing the difference between suicide and self-discovery.
when you make art about liminal spaces you must exist in liminal spaces
the empty tunnel from the parking garage to the airport
a retail outlet that won’t be a 24hr establishment for much longer
a highway exit in the desert with a single gas station
the pine barrens after a fresh powder snow on a new moon night
an indoor pool room with tinted windows for walls
or perhaps just as a human that fits no label, in the pre-morning, after-midnight hours.
On an Oklahoma summer night you’ll realize that bioluminescence isn’t just for sea creatures
as fireflies swim on humid air and blink their almost-morse messages
hundreds of miles from any shoreline
dimming and shining as (air)waves roll over them
like words said only once but never forgotten
that wash of emotion, no matter how dampened by time or other manner of soaking
not like the tide coming in
but not like it’s leaving either
and it is still so hot you swear you could inhale it and boil before you drown
stars and aurora floating above you
the impossible really is always possible
despite your best efforts to believe in nothing
leaves the color of ichor
mortal and things deified
does not represent beauty in death
rather,
a warning of what is to come
your sycamore is a dart frog
not afflicted with a wasting disease
but seething words that you must hear
so you will not perish
when the color is gone
the ghost of what my life was
still has her own room in my house
she still wakes up in the morning and gets ready
like any day could fall back into her rut
the windows are clean and never shuttered because fear doesn’t live in those walls
there’s always a little bit of dirt on the floor because she came in with her boots on and never left again
“Ten Thousand Tears
Bled forth into the Well
To Temper a Blade
Meant To Kill the Maestro…”
“…And so shall I deliver this promise unto them,” Deia Marlupe gargled the last words of her oath through the brine of the sea pouring from her lips. She gasped and sputtered, the salt stinging her nostrils, wiping the abrasive crust from her eyes.
Dawn; the sun creeping over the horizon. Orange and lavender banish the dusky night from the sky.
The frigid sea water rolled heavily against her already-soaked tunic, filling her boots and tossing her belts and bags up towards her head. She scrambled backwards, her prickling skin begging for warmth.
It would get none if the clouds continued to move towards her.
She peeled clumps of her dark hair away from her cheeks, her forehead, her neck. Sticky already. Damn this mermaid’s birth.
She did not try, in vain, to scrape the coarse black sand from her skin and clothes like she had so many days before this one.
Forty-one days, to be exact.
When you are promised Divinity, why would you say no?
When your own mother sheds a tear in hope -
When fiery souls feed the hunger -
When your lover asks for the world in exchange for giving you the cosmos -
It is your duty to Respond.
To Become.

tiny little poem to put in your phone!
sized for phone background usage, 1080x1920

ghosts
who come back
living people
who believed
Can you imagine what’s disappeared?
like a ghost
one day
hanging from the windows
then stopped
And Who?
It Was I
“What do you mean
it was you?”
stunned
shock
Known your whole life and at the same time you’re aware you don’t know
at all
face to face with surprise
open eyes
The Lights
“Understand?”
“Yes,” she said
she couldn’t quite grasp
she needed a little more time
“Give me a minute, please,”
“Of course,”
sat in silence, she was
Thinking Again
When I was a child, and into my teen years, my mom and I went on walks every night with our dog.
In south Texas, the dog that accompanied us was a little mutt - some kind of rat terrier, whippet, beagle-pug abomination we called Uno because of the big brown spot on his wide ribcage.
I was eight years old when my sense of self and mortality sent me on obsessive-compulsive spirals. These long walks through the neighborhood, half the time, were therapy sessions about how to deal with the one life you ostensibly get. The other half of the walks were delving into the media I loved, the careers I wanted, and the creative endeavors that had captured my spirit for the day, week, month.
My mother dutifully listened, comforted me, challenged me, encouraged me. My curiosity was a virtue to cultivate, even when it resulted in tearful questions.
Shortly after our move to southern Oklahoma, Uno had taken to gallivanting around the countryside when we left to visit family down the road. He met his end off the tires of a natural gas tanker semi.
Years down the line, in central Oklahoma, the dog alongside our secluded time to talk was a purebred blue heeler who was smarter than he had any right to be. Pete, named for the mascot of my father’s, and later my own, alma mater.
At fifteen I was determined to be an author, despite all of my time being spent at equestrian facilities, my energy spent on my eating disorder and my budding dressage career. Nothing could match these passions - save for my creative, curious spirit. Often, these walks were spent with explanations of the fantasy world I was creating, and the unique characters that I wanted to write about. I peppered mom with questions about the human psyche - she had earned her Master’s in psychology at this point.
Though I loved it, writing took a backseat to my riding. I was about to graduate college and set off into the professional equestrian world.
The details of my love and obsession for equestrianism is for another time.
My riding career met its end after a particularly bad accident that left me lucky to walk. In pain for the rest of my life, with an incurable condition – but I could still walk.
Still in central Oklahoma, my friends played a game in the world I created so many years ago. Bit by bit, I was able to develop this world into a living, undulating creation that would support the book I was determined to write ten years prior.
Pete made it to fourteen and a half full years, and was peacefully laid to rest with his rolled leather collar on. He never met a food he wouldn’t eat, or a word he wouldn’t learn.
I finished writing the novel exploring the human psyche, set in the world I created.
I sent it to my mom last night.
Soon, she and I will return to our nightly walks – even if they are much shorter than they used to be – and be curious about the world, and our minds, together, as we’ve done my whole life.
My anger with him
bides its time
Like the picturesque waves rolling on the soft sand
we find ourselves sharing
before the water thrashes the pier to which we flee
His love is the breeze surrounding us
in the forest of my creation
the towering redwoods fading into the foggy
low ceiling of collected dew and evaporated ideas
the woods where he would invite all whom he would protect
on gentle ground
soft underfoot
saturated
waltzing through without blessing
without the word of God touching their ear
So too shall they weather this storm
I inhale and hold
until it is needed
when the rains have drained and left the soil wanting
when the moss shrivels and prays
when a trail has been worn
When he tends to me
Broken
not the fault of anyone
but Time and Chance
when the fire smolders at last
Everything I knew
ashes and dust and whispers of eternity
I hold him in kind
though in the clouds of his mind
which cannot hold humans, only souls
and I part them
like I shape the stratus and thunderheads above the forest
or the seafoam at the shore
and I beg for him to break and roll and reform
is he meant to banish the clouds altogether?
so say other men
now and long passed
no, no, the water is the flow and ebb of life
without it there is no land, no forest, no ocean or shore
but Aurelius says
“Are you designed to act; or be acted upon?”
and I think
I didn’t want to change
either
Something was telling him he was looking at someone transient. Not in the way he was; a phantom, a specter of someone who belonged.
This man, currently dressed only in rays of early morning sun and the afterglow of being loved, was transient like the edge of a rainstorm.
When you are stopped for a moment in awe of each raindrop acting as a prism. When the pertrichor overtakes anything else touching your senses.
You don’t need that moment to live. But you want to live in that moment.
Welcome to “With What Words”!
This is a repository for short bits of writing - excerpts, prompts, poetry, and short stories.
Everything included on this blog is original work.
Posts will be tagged according to type and focus.