still waiting on that montreality interview to drop in my delusional universe
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LOVE this post
2025/12/31
I REMEMBER WHEN I SAW THE POST ESDEE MADE ON TIKTOK, LIKE THE SONG WITH TIMOTHEE, I WAS GONNA DIE, IT WAS SO COOL, AND IT HAD SO LITTLE LIKES WHEN I SAW IT, SO I FOUND IT ON INSTA TOO, AND POSTED IT ON MY STORY
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why do i feel like esdee fans on here know something that most fans dont? 😭 like i know that you know something that im not supposed to know but you know that i know that youre hiding it
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Analysis: Palaces - EsDeeKid & Rico Ace
Genre: Hip-Hop / UK Rap
Release: July 31, 2024
Context and Release
Palaces was released during an intermediary moment for both artists. EsDeeKid was in the process of solidifying his artistic identity; he already possessed the aesthetics, references, style, and voice, but was looking to solidify his image. The track was not made to “break out of the bubble” of the scene, but rather to document a moment: it functions as a “look who I am and what I’m living” statement.
Rico Ace enters with scene presence, without the intention of stealing the spotlight. For him, as with EsDeeKid, the song did not represent a milestone of transition or career consolidation, but rather serves as a record of emphasis. It is a work that helps understand where EsDeeKid came from, without leaving a drastic “before and after” in Rico Ace’s trajectory.
Phase Record and Aesthetics
The song is a record of a phase and nothing more. Its lyrics are dense with slang, brands, and local references from the UK underground scene. Being raw, it distances itself from mainstream playlists; it lacks viral phrases, clear emotions, or a memorable chorus.
The focus is purely on the construction of an atmosphere. Artistically, this is a triumph, but commercially it hinders mass appeal. The track does not seek innovation, but instead focuses on nihilism, raw UK underground, and a hedonistic aesthetic. It is a linear song: it flows and documents a mental state, financial status, and vibe, but it doesn’t define the scene or the artist.
Identity and Theme
The use of terms like “Scouse Kid” and “R kid” brings a regional authenticity that gives the song its own identity. The somber lyrics focus on bravado, drugs, and superficial relationships, yet one can notice an intrinsic melancholy in lines like “I hate being sober”. Rico Ace’s participation carries an indifferent tone, merely stating facts for others to believe. It is an aggressive, honest, and uncomfortable sound.
Technical and Conceptual Analysis
One can perceive in Palaces a shallow yet agitated beat that exists primarily as a support for the vocals. This creates a direct contrast with the apathetic, non-urgent, and almost spoken vocal tone used in the track’s delivery.
The Psychological Contrast
The beat represents a psychedelic and frenetic — almost anxious — mental state. It sustains the anesthesia of the vocals; it repeats and maintains this state, bringing a constant psychedelic idea to the surface. It is repetitive and “lazy,” which talks directly to the lyrics.
Texture and Ambience
The instrumental features voices that function as background noise and become texture within the song. This resource reinforces the idea of overstimulation — linked to the drugs mentioned in the lyrics — and evokes a continuous sense of disorientation. The beat does not seek triumph, excitement, or catharsis; its repetitive and anxious character is a well-resolved aesthetic choice.
Structure and Nihilism
The sonics reflect stagnation and reinforce the nihilism of the composition. The beat does not evolve: it is a “music of state,” not of impact.
• BPM: Agitated, yet constant. It neither accelerates nor decelerates.
• Climax: Non-existent. The track merely sustains the sensation of mental racing — a state of restlessness without progression.
Technical Conclusion
In Palaces, the pattern is simple, with functional and unimpressive drumming. The repetition is almost mechanical, the texture is murky, and the melody is purposefully unmemorable. Throughout its 1:53 runtime, the track remains static, with no drop, climax, or build-up. It is a purely technical and conceptual work.
Critical Opinion: The Duplication of State
The song deals with the same phase presented from two virtually identical points of view, leaving no room for other interpretations or the coexistence of two distinct concepts. There is no tension between the viewpoints; instead, the song reinforces a sense of stagnation and aesthetic continuity from start to finish. The track does not advance; it merely persists — and this persistence is the concept itself. It delivers everything it promises — it’s a decent, yet unremarkable song.
