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Here is a write up I did a couple months back about A Tribe Called Quest for Ryo’s blog. Specifically, this is about Q-Tip and his production.

There’s a certain “bounce” to a beat that, while sounding effortless, takes skill to perfect.

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Something that is taking the flavor out of music today is quantization. While still masterfully mixed, layered and composed, a lot of music today is centered on a perfect, unquivering, usually pounding beat. This allows the fans to hit the dance floor (whether it is in an actual club or in the bedroom) and lose themselves in the beats of the songs carefully whisked together by a DJs for hours on end. Quantizing a beat means to toggle on an option that will perfectly time any instrument to a specific BPM without it ever leaving the drawn out lines of the metronome, keeping whatever instrument perfectly on beat.

One of my favorite “quantized-pounding-dance” songs, Usher’s “OMG” featuring will.i.am.

Something that makes music of the pre-digital era great is the fact that more than often we are faced with layered recordings of real people playing real instruments, all combined to create a song. Every drummer, bassist, guitarist and singers’ individual rhythms converge into the songs we now can appreciate in hindsight. Drummers such as Max Roach, John Bonham, Ringo Starr and more were required to record drum pattern arrangements for their fellow band mates to record over in the following sessions. Some Jazz bands even tracked all of the instruments simultaneously in order to record an authentic “jam session.”

Something that makes A Tribe Called Quest great is the fact that a majority of their music is sample based. As Q-Tip worked on the beats for the classic Tribe albums, he was not chopping up drums, but instead leaving them in continuous loops. The sample’s own personal rhythm still remains intact in it’s original order as a result. Joe Dukes’ own personal drumming style and rhythm beams through in the drum break of Lonnie Smith’s “Spinning Wheel.“ It is mis-mashed with the now famous Lou Reed ”Walk on the Wild Side” sample, clashing together two different styles of music to create a the Hip-Hop anthem “Can I Kick It?”

And let’s not forget the other samples in the song as well! 

Most Tribe songs have 4 or more samples, some of which come from Jazz, Soul and Funk music of the 60’s, 70’s and 80’s. Layered together, these samples create the music for their 90’s albums. A lot of time is spent digging through vinyl records and listening to music in order to create what we can hear on the Tribe albums.

The albums are rooted in a plethora of genres as well, yet they all lend to a common vibe and become the backdrop for the message that Q-Tip, Phife Dawg and others bring to us. To this day, their music still inspires more and more new artists (J. Cole, B.o.B., Joey Bada$$). 

Pharrell Williams says in the documentary Beats, Rhymes & Life: 

“Q-Tip just picks the best loops, man." 

Working with samples is no easy task. You are not just simply picking and choosing 2-6 second clips of music to use as your instruments and playing them on top of each other. You have to figure out how you can sample a bassline without the drums overpowering it too much. You might have found the craziest saxophone melody that wafts and floats throughout the track, but the flashy drumming that occupies the entire left ear makes it difficult. Filtering out vinyl hiss and crackle may take away from the shine of the cymbals. And matching the different tempos together of completely unrelated songs is the most pressing task. 

Yet if you dig through the Tribe songs and the samples encased within, you will almost hear the original clips sound seemingly 100% unchanged. That’s Q-Tip’s gift, finding the golden loops and splicing them together seamlessly. He wasn’t just reinventing the wheel, but finding the new directions he could go with it.

Tribe first ended up in my personal library after I randomly discovered the instrumental to their Love Movement track “Pad & Pen” in my Limewire folder. That lead to discovering their popular singles, then eventually the albums. Ever since my early teenage years, A Tribe Called Quest has been the staple of my understanding and appreciation of Hip-Hop music. 

No matter what the songs are about, there is always that honest and innocent energy to the music. Nothing about Tribe feels robotic. Though they came to us during a transitional period in Hip-Hop at the tail end of the Golden Age and the beginning of the Gangsta Rap phase, their music does a good job of separating itself from the clichés of either era. The music is ageless, and that’s what makes us keep bouncing.