#Stigmata

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in-fire-and-of-frame
in-fire-and-of-frame

photo of my left hand, palm up. there is a small circular cut near the center of the palmALT
closeup photo of the cut ALT

a stigmata wound inexplicably popped up on my palm last night

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demolition-loser
demolition-loser

I kind of want to be the first genderqueer stigmatic

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demolition-loser
demolition-loser

Stigmata is so cool I hope there’s a supernatural episode about it

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thnkyoufrthvenom
thnkyoufrthvenom

Sometimes I wished I believed in god

idk

still pray sometimes lowk but that’s literally only when there’s enough blood on me to make people assume I have stigmata

ha

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darkeyecircless
darkeyecircless

Cimabue, Crucifixion, after 1279, fresco. 5.18 x 7.32 m. Upper Church, San Francesco, Assisi

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Object 2: Cimabue, Crucifixion (Fresco, Basilica of San Francesco, Assisi)

Visual Description Guide

Study and be able to describe the following visual elements:

• Large fresco in the transept of the Upper Church at Assisi; lead-white pigments have oxidized, reversing light/dark values

• Christ’s body displays a sinuous, lifeless slump — dramatically contorted

• Loincloth flaps violently as if in a howling wind, charged with kinetic energy

• Mary Magdalene and the centurion Longinus thrust arms desperately toward Christ

• Angels twist, fret, and cry — dynamic, emotionally charged figures in the upper register

• St. Francis kneels at the foot of the cross, miraculously ‘present’ at the Crucifixion

Major Themes to Address

• Franciscan devotion and the Passion of Christ: Francis’s identification with Christ’s sacrifice through his own stigmata

• Artistic license within sacred narrative: Cimabue uses dramatic spatial staging to tell the story of Christ’s death

• Collapse of time in devotional imagery: Francis appears at the historical Crucifixion as an act of devotional transport

• Comparison with Byzantine models: Cimabue’s emotional intensity pushes beyond the hieratic calm of Byzantine art

Significance & Socio-Cultural Context

• Painted for the Franciscan friars to meditate on sacrifice and to emulate Francis’s example

• Francis’s presence at the Crucifixion is a theological statement: his intense devotion collapses time

• The fresco site (both transepts) underscores the centrality of the Crucifixion to Franciscan identity

• Cimabue’s dramatic style represents a bridge between Byzantine tradition and the emerging naturalism of the Italian Renaissance

Key Terms & Concepts

• Transept

• Stigmata

• Cimabue

• Passion of Christ

• Franciscan devotion

• Dynamic vs. hieratic style

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darkeyecircless
darkeyecircless

San Damiano Crucifix, 12th century, tempera on panel. 1.9 x 1.2 m, Santa Chiara, Assisi

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Object 1: San Damiano Crucifix (Christus Triumphans) Visual Description Guide

Study and be able to describe the following visual elements:

• Large painted crucifix; Christ depicted with open eyes, upright posture, not hanging —appears to levitate before the cross

• Blood visible from wounds in hands, feet, and side, yet body is smooth and unblemished

• Flanking figures (Virgin Mary, disciples) display beatific smiles rather than grief

• Small figure of the Risen Christ appears at the top, striding toward angels

• Busts of angels painted beneath Christ’s arms; the whole composition arranged in registers

• Style is bold, stylized, and hierarchical — Christ is superhuman and unapproachable

Major Themes to Address

• Religious reform: the image associated with St. Francis’s founding vision — it ‘spoke’ to him

• Christus Triumphans (Triumphant Christ): theological emphasis on resurrection over physical suffering

• The gap between human and divine: figures are distant and serene, not grieving — contrasts with later Passion imagery

• Urban religious culture: art as a medium for personal religious experience and conversion

Significance & Socio-Cultural Context

• This is the crucifix that spoke to St. Francis, triggering his conversion and the founding of the Franciscan Order

• Represents the older Byzantine tradition of Christus Triumphans — theologically focused on resurrection and eternal life, not suffering

• Marks the beginning of a major shift: reformers like Francis wanted more personal, emotionally accessible religious imagery

• Illustrates how style carries theological meaning: the aloof Christ speaks to transcendence, not human suffering

Key Terms & Concepts

• Christus Triumphans

• Mendicant

• Stigmata

• Byzantine style

• Religious conversion

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silenthill2ps2
silenthill2ps2

THANK YOU SO MUCH!!!!!!

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piercethever
piercethever

Thw concept of my twin breaking his hand and his “best friend” having his hand bandaged too…

They gotta have stigmata guys

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ziadoyleart
ziadoyleart
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bigsmallworld
bigsmallworld

Going through reviews of Stigmata (1999) on Letterboxd while rewatching the movie

Now were they talking about Frankie in this movie or Frank Iero?

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archivitos
archivitos

스티그마타

Stigmata

Seasons 1, 2 & 3 covers

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stateofmindrecordings
stateofmindrecordings


Check out some of our new inventory (everything new and mint, no used). www.stateofmindrecordings.com/zencart

Full descriptions and color vinyl listed in our web store.

We still offer very low priced flat rate domestic shipping no matter how much you order.

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torposopla
torposopla
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third-worldist-mr-beast
third-worldist-mr-beast

well he was set up for this fate with those sucidal seme bangs

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third-worldist-mr-beast
third-worldist-mr-beast

omg new cover slaps

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the-last-nephilim
the-last-nephilim

Chosen / Cursed

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the-last-nephilim
the-last-nephilim

St. Catherine of Siena, WIP

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punishedsaints
punishedsaints
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astal-art
astal-art

UNHOLYVERSE WHO CHEERED

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frickrichums
frickrichums

my friend gave me a late christmas gift and i’ve been playing dolls with him ever since.