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Los 50 mejores grupos del rock en español y las omisiones
Hicimos un esfuerzo monumental por revisar y reseñar las 50 mejores bandas del rock en español según Billboard Latin y nos encontramos varias sorpresas, bastantes omisiones y artistas increíbles para celebrar.
La reciente selección de Billboard —curada por editoras como Pamela Bustios, Natalia Cano e Isabela Raygoza— ha suscitado un debate necesario. Si bien la lista celebra la excelencia, deja una interrogante abierta: ¿dónde figuran pilares de la talla de Fito Páez, Miguel Mateos o Charly García? Aunque su éxito solista es indiscutible, su ADN es puro rock. Más allá de las individualidades, la ausencia de instituciones como Kraken, El Último de la Fila o Sumo nos invita a proponer un análisis propio; uno que entienda el rock no como un simple ranking de la nostalgia, sino como un movimiento iberoamericano maduro y transversal. Desde que el fenómeno “Rock en tu Idioma” profesionalizó la escena en los 80, el género ha evolucionado de un nicho a un lenguaje continental con cuatro décadas de resiliencia.
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Well…i thought someone was being honest for once… But i know i shouldn’t have trusted right?
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☽ signal recap | week 25
☽─────────────────────────────────────────☾
hello and welcome
midnight broadcast has nearly finished its twenty fifth week
let’s walk through the static together ↴
[[MORE]]☽────────────────signal strength────────────────☾
this week, the signal reached 6261 notes total
and 280 listeners have decided to join us
1287 posts have been sent into the broadcast
for those of you
who continue to follow
as we hold the signal
steady for our listeners:
thank you
your presence is enough
and we know
your many ears
have not yet gone deaf
☽────────────────weekly whispers────────────────☾
midnight broadcast’s top transmissions this week were:
amnesia was
a top supporter
of this week’s broadcast
keeping the lights
and our signal
strong
the weather
and firehouse
also saw great interest
from our alternate selves
☽─────────────submissions and replies──────────────☾
7 questions received
7 answers sent into the static
0 still drifting
whether you asked
about the stranger
that comes from a
far brighter place
or your interest
in our abandoned
mine shaft just outside
our small town
we heard you
and we’ve answered
(#airwave-interference | #warm-frequency | #unknown-signal)
☽───────────────signal suggestions───────────────☾
if you’ve enjoyed the broadcast:
consider amplifying the signal
a reblog, a whisper, a line written in the sand
or simply keep listening
enjoy the broadcast? support our station.
the jar is near the console.
(no exclusive content. just gratitude and signal.)
☽───────────────community results──────────────☾
for those of you
who may have missed it:
this week’s community poll has received
its results
due to unexpected
errors with the station
temporal loop
we experienced
a shorter
and lesser result
than we had intended
scientists are now
working out the details
for the NOT mountain discovery
despite technical difficulties
☽────────────────────fin───────────────────☾
whether you see us
tonight
or any other night
the broadcast
still continues
to light its way
through the void
that we all call
our dreams
see you tonight, listeners
or maybe
tomorrow night
♥ intern jamie
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The Academy has spoken, now for the philosophers: The Dionysus Awards, celebrating movies of the past year that challenged our assumptions and made us think about things in new ways.
Coming April 12 to KALW. More at https://philosophytalk.org/shows/the-2026-dionysus-awards.
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¿Por qué la locución? Capítulo 18
Gabriel Posada Gálvis: “Escuchando, como todo el que lo permea la radio. Recuerdo una anécdota de Johnny Cash, que contaba que a los cuatro años decidió que iba a ser cantante después de ver girar ese maravilloso vinilo que salía música en una victrola. Yo decidí que iba a ser locutor cuando era niño, escuchando noticias. Me despertaba en el campo a escuchar noticias a primera hora desde un transistor con mis abuelos. La radio es el eje de todas las funciones allá y para todos los gustos. Éramos consumidores de noticias, radio novelas, consejos, dramas, opinión, humor, política y deportes”.
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NHK FM “My favorite album” LEVEL3 by Perfume 2026.03.16
Guest: Daisuke Tohyama
The album contains 14 tracks, and right in the center sits a song that, for me, defines the entire album. That track is: “Party Maker.” Whenever Perfume performed live—especially leading up to their 2025 hiatus—“Party Maker” was the song they would play at the key moment of the show. The crowd would raise their hands together, and the energy would just surge through the entire venue. The track itself runs about seven minutes on the album.
Technically it wasn’t labeled as the lead single, but honestly, calling it a centerpiece of the album wouldn’t be an exaggeration at all. In fact, I sometimes feel a connection between this track and Underworld’s “Two Months Off.” It’s funny how the playlist ended up flowing that way today. Either way, this song absolutely blows the roof off when it plays. If you’re listening at home, or on the radio with headphones, this might be the moment to turn the volume up just a little.
Interestingly, there aren’t actually that many vocal lines in the song. But even in the instrumental sections, you can still feel the emotions of the three members—a-chan, Kashiyuka, and Nocchi.
It’s incredible.
Although LEVEL3 is filled with exciting, uplifting tracks, I personally feel a strong sense of melancholy running through it as well. Much of that feeling comes from the emotional impact of “Dream Land.”
Because of that ending, the album leaves you with a bittersweet aftertaste—a sense of quiet sadness as it fades out.
And that emotional rise and fall is part of what makes LEVEL3 so special.
You feel your own emotions being carried along with the music until you arrive at that final moment.
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NHK FM “My favorite album” LEVEL3 by Perfume 2026.03.16
Guest: Daisuke Tohyama
The first time I ever saw Perfume was in September 2007. I happened to be in Osaka for a comedy job. After finishing work, I returned to my hotel and turned on the TV. An NHK music program called PopJam was on.
Suddenly I saw three cute girls performing with a strange, almost robotic choreography—set to an incredibly cool electronic track. I thought, What is this?
That song was “Polyrhythm.”
With “Polyrhythm,” Perfume burst into the mainstream. After that they held arena tours, and in 2010 they performed their first concert at the Nippon Budokan.
Then in 2011 they released the album JPN. Around that time, Japan had just experienced the 2011 Tōhoku Earthquake and Tsunami, and the album carried a sense of determination and prayer as they toured the country.
Two years later came the next album: LEVEL3.
For me, this album represents a moment when Perfume’s sound became especially sharp and powerful.
Their music is produced by Yasutaka Nakata, and I remember hearing that the group asked him to create songs that would really explode during live performances. The result was an album packed with bold, high-impact electronic tracks.
By this point, Perfume had already begun performing overseas as well. So the album also feels like it’s aimed at an international audience. There are songs in English—like Spending All My Time—and overall the music has a global, dance-floor energy.
It’s an album that feels ready for the world.
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Old tech.
I love old tech and recently got a old radio and uploaded all of my spotify music to my older mp4 player! Its kinda great and i can still use bluetooth headphones. Andd im cutting down on modern tech like my phone!! :3
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- Plástica radiofónica que incluye material acústico de Emilio Melis + Siddhartha + Lhasa De Sela + Damien Rice + Karen O & Danger Mouse + Nari + Zoé + Gustavo Cerati
