
Tatouages de cheville dans le style de Peter Jackson avec une feuille de hobbit
Tatouages À La Cheville #tatouages cheville #style Peter Jackson #feuille de hobbit

Tatouages À La Cheville #tatouages cheville #style Peter Jackson #feuille de hobbit

It’s been 20 years since Peter Jackson’s King Kong movie came out on December-14-2005 and let me tell ya: it’s a GREAT movie I’ve ever watched, even 100% BETTER than the other versions. It’s about the 1933 classic, which follows director Carl Denham (Jack Black) and his crew on a journey from New York City to the ominous Skull Island to film a new movie. Accompanying him are playwright Jack Driscoll (Adrien Brody) and actress Ann Darrow (Naomi Watts), who is whisked away by the GIGANTIC gorilla called Kong (Megaprimatus Kong) after they reach the island. Man, that ape is HUGE! The crew encounters dinosaurs (evolved ones) and other creatures as they race to rescue Ann, while the actress forms a bond with her simian captor. When I was 12 years old, my dad and I went to see that movie in MJR Digital Cinemas and I really loved that movie. That’s why I’m celebrating the 20th anniversary of this movie.

Manche Traditionnelle Américaine #tatouage #tatouagetraditionnel #lune #soleil #style #PeterJackson #encre #art #corps #Amérique

★★★★★
Rewatched 11 Oct 2025
Any horror fan can tell you that Peter Jackson’s Braindead (1992)—known internationally as Dead-Alive—is one of the goriest and funniest horror comedies ever made. But how many realize that it’s also one of the most layered and psychologically sophisticated?
Despite the controversial title change, Jackson always referred to this film as Braindead in interviews. Ironically, Dead-Alive arguably fits the story better. The infected are trapped in a state between life and death, and while some are more functional than others, they retain enough mental faculties not to qualify as “braindead.” Lionel’s mother, in particular (despite initially going feral) returns to her full mental capabilities after transforming from a zombie into a giant monster at the film’s climax, making Lionel’s confrontation with her that much more personal.
It’s in this aspect that the film moves beyond mere viscera and into richer territory. Much has been made of Jackson channeling Sam Raimi’s shtick, specifically Evil Dead II’s marriage of Three Stooges slapstick with Lucio Fulci-style splatter. But Braindead contains psychological depth that the Evil Dead movies don’t even attempt. Lionel’s relationship with his controlling, abusive mother is a textbook example of the Jungian “Devouring Mother” archetype. Carl Jung introduced archetypes as universal symbols within the collective unconscious. The “Devouring Mother” is the figure who smothers the child, preventing individuation, and destroys the child’s independence to preserve her own comfort.
In Braindead, Vera is that figure incarnate. Lionel is trapped in her service, emotionally bound, and prevented from seeking adult love with Paquita because of his mother’s jealousy and her expectation that he must fulfill the role his dead father once did. The flesh-eating zombie motif becomes a literalization of the term Jung coined to describe this particular toxic dynamic.
Lionel and Paquita begin in what seems to be a sweet ’50s-style romance (almost like Roman Holiday or Some Like It Hot) before Vera intrudes, shifting the film into Whatever Happened to Baby Jane?-style horror long before we see a single zombie. Vera’s appearance—her heavy makeup, as though trying to cling to lost youth—may even be a direct reference to Bette Davis’ most famous role.
Vera’s sabotage of Lionel’s relationships, her constant guilt-tripping, and the revelation that she murdered Lionel’s father (a childhood trauma he suppresses until the climax) all parallel the mother-son dynamic in Alfred Hitchcock’s Psycho (1960). In fact, it wouldn’t be a stretch to pitch Braindead as “Norman Bates versus The Evil Dead.” Yet, in a key contrast, Lionel ultimately breaks free of his mother’s control. When we meet Norman Bates, he’s long since been consumed by madness, whereas Lionel is still young enough to be saved by the love Paquita brings into his life.
If the flesh-eating zombie metaphor was too subtle a way of conveying the devouring mother theme, things become even more on the nose in the climax—but in the best possible way. In a pure body-horror spectacle, Lionel is literally swallowed into Vera’s womb, only to tear his way out clutching the nondenominational yet cross-like amulet Paquita’s family gave him earlier. Though her Romani culture is largely Catholic, and Lionel himself is shown to be religious throughout the film, he tosses the amulet aside afterward, perhaps suggesting he has moved beyond the need for parental figures—be they divine, human, or undead.
Given the emotionally incestuous dynamics beneath what, on the surface, plays like Looney Tunes with gore (complete with ACME products and frying-pan gags), it’s no surprise Peter Jackson followed it with Heavenly Creatures (1994). That film abandons Braindead’s comedy entirely, diving headfirst into its psychosexual undertones by telling the true story of two teenage lovers who murder one of their disapproving mothers.
While Braindead will always be celebrated for its lawnmower massacre and buckets of blood, it deserves recognition for weaving exuberant violence with genuine symbolic storytelling. It’s hardly surprising that this is the same filmmaker who would go on to direct The Lord of the Rings trilogy (2001–2003). One could even argue Lionel’s implied rejection of faith at the end foreshadows Jackson’s own rejection of the Catholic subtext in Tolkien’s original text—but that’s a topic for another time.
If you’ve only seen the splatter, dig a little deeper into Braindead and you’ll find the ripped flesh isn’t just horror or even comedy, but a grotesque metaphor for those who (in some cases literally) need to cut their own cord.

Bizeps Tattoo #tattoo #baum #elf #PeterJackson #bizeps




Pillangó Kéz Tetoválás #pillangótetoválás #epikusfantázia #PeterJackson #kéztetoválás

Biomechanical Tattoo #biomechanicaltattoo #medievalfantasy #PeterJackson #fantasytattoo

Báty És Nővér Tetoválások #tetoválások #testvér #nővér #lovag #PeterJackson #páncél #design #művészi #inspiráció #testvérek
The Umbrella Academy Season 4: Ahhh, money cuts, we have to have 6 episodes instead of 10. Also instead of adding in an important plotpoint to resolve from the last season, we’ll cut that and create a whole new romance that no one asked for, aaah money issues
The Lord of the Rings: Okay this is going to be super expensive but we’re gonna drop a 4 hour movie because we need all this lore, we also have two other movies with close to 3 hour runtimes but we need to get this stuff in because it’s important

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Fans of Middle-earth, rejoice! The highly anticipated animated film, “The Lord of the Rings: The War of the Rohirrim,” has just released its first trailer, and it promises to be an epic addition to the beloved franchise. Set 183 years before the events of the original trilogy, this film delves into the history of Helm Hammerhand, the legendary King of Rohan, and his fierce battles against the Dunlendings1.
Directed by Kenji Kamiyama, known for his work on “Blade Runner: Black Lotus” and “Ghost in the Shell: Stand Alone Complex,” the film features a unique anime-style animation that brings a fresh visual experience to the world of Tolkien1. The voice cast includes Brian Cox as Helm Hammerhand, Gaia Wise as his daughter Héra, and Luke Pasqualino as Wulf, among others.
The trailer showcases breathtaking scenes of Rohan, intense battles, and the emotional struggles of its characters. With a screenplay by Jeffrey Addiss, Will Matthews, Phoebe Gittins, and Arty Papageorgiou, and produced by Philippa Boyens, this film is set to capture the hearts of both long-time fans and new audiences alike.
Mark your calendars for December 13, 2024, when “The Lord of the Rings: The War of the Rohirrim” hits theaters. Prepare to be transported back to the rich and immersive world of Middle-earth, where the fate of Rohan hangs in the balance.
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¿Por qué tendrá su película? La respuesta nos la da el director de las trilogías de y el https://www.cinemascomics.com/gollum-tiene-pelicula-por-este-motivo/
The Beatles- Now and Then

11-22-23
The “new”/“last” Beatles song “Now and Then” is moody, epic, and haunting (all of which makes it immediately good), and the video is, like the song, technologically-impressive and tugs at the heartstrings, especially the time-capsule reversal and bow at the end.
“Not and Then” is brilliant feature and production by the Beatles team, Yoko, and Peter Jackson, who used AI to extract the John Lennon vocals from a damaged/unusable tape. For those wondering, AI was not actually used to create the song, only to separate the muddy Lennon vocals from the piano on a damaged tape.
This AI tool/process could open the door to a lot of vault material from any number of artists. Who knows what artists will soon, similarly, “pull a Tupac?” Tupac famously kept “releasing” music long after he had passed away.
The Beatles surely were the last band I would think would release a song “using” AI, and yet knowing their history of technology and innovation, it makes sense that they are the first. Thus, the reference, going forward, for releasing music long after one’s death will be termed “pulling a Beatle.” Sorry. GO check out the song!
¡El director alaba una película de terror de 2023 como la mejor en años! Aquí os dejamos sus palabras… ¿Coincides con él? https://www.cinemascomics.com/peter-jackson-revela-la-mejor-pelicula-de-terror-que-ha-visto-en-mucho-tiempo/
Peter Jackson revela la mejor película de terror que ha visto en mucho tiempo
Rewatched the legend of seeker after more than 10 years, and I just realised that this cutie painter is Simon London, aka FEREN! the lieteunant of Thrandy 👀
He is so cute in here, I think he is in his early 20s, such a baby 👀💙




