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@phaneronfantasy · Phaneron Fantasy: Christan Mythology Webcomic
New name, new home!
Check me out on Tapas.


New beginnings, another recoloured version of my 2020 character. Another artwork from 2022.


She wants to be heard but she is too shy to speak. The bell announces her presence. Another artwork from 2022.
“Like Particles and Waves” will be showing in the Chestnuts and Pearls group art show “Matriarch Revolution” February 28th - March 28th ✨
The opening reception is this Saturday, February 28th 1pm - 3pm✨

a passadeira, 2026
técnica mista s/tela [55x82]
·
zebra-crossing, 2026
mixed media on canvas [54 × 82 cm]

«Passadeira (s.f) 1. Zona demarcada na via pública, geralmente composta por faixas brancas paralelas, onde o peão adquire, por breves instantes, a ilusão de superioridade sobre as máquinas; 2. Lugar onde ética, poder, corpo, risco e estética se cruzam. 3. É um cronotopo [tempo-espaço] microscópico onde a pressa coletiva é temporariamente negociada numa tentativa sempre provisória de organizar o caos.»
in magriço (2026) Elucidário de Palavras e Afins

«Zebra Crossing (n.) 1. A designated area on the public highway, typically marked by parallel white stripes, where the pedestrian acquires, for brief moments, the illusion of superiority over machines; 2. A site where ethics, power, the body, risk, and aesthetics intersect; 3. A microscopic chronotope [time–space] in which collective haste is temporarily negotiated, in an ever provisional attempt to organize chaos.»
in magriço (2026), Elucidary of Words and Related Things

@ Necessidades, Lisboa, Portugal
>>>>Al Jarreau - Take 5>>>>
a relaxed week to everyone*

quem deixou cair o gelado?., 2026
técnica mista s/ tela, [71 x 112]
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who dropped the ice cream?, 2026
mixed media on canvas, [71 x 112]

Quem Deixou Cair o Gelado? reconfigura de forma irónica a iconografia bíblica da Criação e da Queda, tendo como matriz A Criação de Adão (Michelangelo, 1512) e A Repreensão de Adão e Eva (Domenichino, 1626). As figuras são representadas no instante da transferência de culpa perante a queda do gelado, objeto de satisfação primária, do prazer e consumo imediato.
A obra propõe uma leitura contemporânea do Génesis, deslocando o drama teológico para o campo do comportamento humano, onde a responsabilidade coletiva se dissolve em acusações cruzadas.
Uma dramatização do impasse contemporâneo entre desejo, responsabilidade e culpa.
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Who Dropped the Ice Cream? critically reconfigures the biblical iconography of Creation and the Fall, drawing on canonical references such as The Creation of Adam (Michelangelo, 1512) and The Rebuke of Adam and Eve (Domenichino, 1626). The figures are frozen at the moment of blame transfer.
The work offers a contemporary reading of Genesis, shifting the theological drama into the realm of human behaviour, where collective responsibility dissolves into mutual accusation. Guilt circulates without settling, becoming diffuse and residual.

@ Quinta Pedagógica, Olivais Sul, Lisboa, Portugal
a thursday full of good findings*

‘I sank deep into the green and blue, moving through black sands and clouds of hot sulphur. ’
drawings from memory, blessing my dreams and hopes for a better future
@ São Miguel Island, Açores, Portugal
>>>>crossing views with Fogo Lagoon 😍>>>>
an energizing wednesday*