#igorot

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deemmzee
deemmzee

Igorot Stone Kingdom in Baguio

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rugged11th
rugged11th

La Trinidad Valley at quarter past eight in the evening… the heart of Benguet in all its glory

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rugged11th
rugged11th

IGOROT STAIRS

It’s an open stairway at Upper Session Road with igorot statues all over and that’s it… lots of classy food hubs too nearby. Stairs itself is a nice spot for solitude

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rugged11th
rugged11th

I think I’m loosing my Tumblr feels…

Oh no I won’t!

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arkipelagic
arkipelagic

The fact is, there is no archaeological evidence for [the 2,000-year-old rice terraces] claim. The model was created by early 20th-century American scholars H. Otley Beyer and Roy Barton, who based their arguments not on data but on racialized theories of culture and human development. Their ideas have long been repeated in textbooks, tourist promotions, and nationalist histories, often reshaping Indigenous narratives to serve national agendas. The evidence, however, tells a very different story.

[…] In Taiwan, long thought to be the starting point of the so-called Austronesian expansion, millet rather than rice dominated the diet two millennia ago. Rice accounts for less than 5% of archaeobotanical samples and was grown in rainfed fields rather than irrigated paddies. Terracing and irrigated rice only began in the 17th century when Han Chinese settlers arrived, transforming landscapes within decades. If they could do so quickly, why assume Cordillera farmers could not have built the terraces later and with similar speed?

In Madagascar, the story is similar — rice appears only around 1,200 to 1,400 years ago, introduced much later than once believed. Local varieties emerged through hybridization and adaptation, not through inheritance from a timeless tradition.

Similarly, archaeobotanical studies in the Philippines show that taro and millet were staples long before rice became dominant. The large-scale turn to wet rice farming accelerated only under Spanish colonization, when rice became taxable. Irrigation ditches known as zanjas were introduced, and Ilocano farmers transformed them into zanjeras, cooperative systems that combined Indigenous practices with colonial structures.

[…] Beyer, often called the Father of Philippine Anthropology, explicitly argued that the terraces were not the work of the Ifugao themselves. He wrote in 1955:

“I do not believe that the physical type, language, or culture of these people is wholly a native development. The evidence seems to indicate that the present-day Ifugaos are the result of mixture, perhaps one or more thousand years ago, of several widely different native types with an incoming people of high culture.” In other words, he thought the Ifugao were incapable of such innovation and that outsiders must have introduced the practice.

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balkanparamo
balkanparamo

A Tattooed Igorot Beauty Smoking Ganja: Migo Kamandag

‘A serene smoke curls,

Wisdom in the painted breasts,

Earth’s breath on the wind.’

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librosviejos
librosviejos

“Eulog [?] house, where unmarried Igorote girls live and men come to choose a wife - Boutoc [Bontoc?] // Mountain Province // P.l- // Jan - 4- 15/1921”

[source]

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salidummay
salidummay

Photographs of the Bua School for Igorot Girls

(First three images are from the University of Michigan Library, last image is from the Ortigas Foundation Library)

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balkanparamo
balkanparamo

Portrait of an Ifugao Farm Girl: Kiangan Chronicles

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paragrasya
paragrasya

Happy Day of Valor!

It’s National Heroes’ Day in the Philippines!

Some stuff I’m reading:

• Category Archives: Igorot Heroes by Bill Bilig. Link: https://igorotblogger.com/category/people/igorot-heroes

The link above leads to the following:

- Public Servants and Heroes: Siegfred Ngoloban and Richard Balusdan

- Major Dennis Molintas Sr: A Gallant Igorot

- The List: More on Itneg-Ilokano Warrior Gabriela Silang

- FtB Lister Macliing Dulag: In Good Company

• Igorots of 66th Infantry: Baguio’s wartime heroes. Inquirer article by Vincent Cabreza. Link: https://newsinfo.inquirer.net/2056082/igorots-of-66th-infantry-baguios-wartime-heroes

• The Legend of Biag, an Igorot Culture Hero by William Henry Scott. Asian Folklore Studies, Vol. 23, No. 1 (1964), pp. 93-110 (18 pages). Link: https://doi.org/10.2307/1177639

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balkanparamo
balkanparamo

Ang Igorotang Mayroon Hikaw na Perlas: A Homage to Vermeer

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mankadavi
mankadavi

A digital painting of two Igorot men. The Bontoc man on the left plays a kolitong while the Ibaloi man sits on the ledge holding a flower. He is picking the petals from the flower. They look at each other fondly.ALT

happy yaoi day everyone 🥳

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mankadavi
mankadavi

A digital illustration of an Igorot farmer meeting a group of star maidens. He is kneeling to fetch water with a pot in one hand, while a star maiden grabs at his other arm. She looks at him intently. The other maidens look at him with curiosity. They all have everlasting flowers or Benguet lilies in their hair. They are surrounded by lily pads, silvergrass and gabi. The painting is referenced from John William Waterhouse's Hylas and the Nymphs.ALT

The Farmer and the Star Maidens

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lecanerd
lecanerd

Igorot headhunter during the Japanese occupation

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arkipelagic
arkipelagic

Posible nga bang magkaroon ng lipunan kung saan walang kaso at konsepto ng rape? Is it possible for a society to exist wherein there was no case nor concept of rape?

Walang Rape sa Bontok (2014) dir. Lester Valle

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postcard-from-the-past
postcard-from-the-past

Igorot woman from the northern Philippines

Belgian vintage postcard

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mankadavi
mankadavi

A Kankanaey depiction of the Greek goddess Hera, based on Obban, the goddess of reproduction. She is sitting down while holding a staff. The painting is rendered in oranges, browns, reds and black.ALT

Obban (Hera of the Kankana-ey)

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witekspicsoldpostcards
witekspicsoldpostcards

King of Kalinga province, Igorot Girl Mission Philippines / 1927

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rugged11th
rugged11th

Saddle, Atok

Halsema Highway

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mankadavi
mankadavi

A series of drawings inspired by Aubrey Beardsley's works. The first is a redraw of Atalanta in Calydon as an Ifugao archer. The second is a redraw of Hail and Farewell as an Ifugao headhunter in traditional garb. The third is a redraw of a The Yellow Book page as an Isneg woman. They are all rendered in black and white.ALT

some aubrey beardsley studies

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