11.03.2026 -
Sneak peek of a current project 👀 From empty room to a cozy study + hobby space. Long desk, display shelves, and warm wood tones. Designed & rendered by me with D5Render ✨
ALT11.03.2026 -
Sneak peek of a current project 👀 From empty room to a cozy study + hobby space. Long desk, display shelves, and warm wood tones. Designed & rendered by me with D5Render ✨
ALT
Spring vibes are in the air 🌸 — we’re cooking up our new collection! Spotted anything you might have a crush on? 😏 Drop your faves in the comments and let us know!


Final Outcome
These are the final mark making outcomes from my action word experiments. They are not meant to represent anything literal, but instead show a physical response to movement and gesture
Using black ink, I responded to each word through the motion of my arm and hand. Some marks are quick and sharp, others are circular, layered, or repeated. I kept the splatters, drips and uneven areas visible as they reflect the immediacy of the process
I really enjoyed this stage because it felt open and straightforward. It didn’t need to be neat or overly refined, which made it easier to experiment and work more instinctively. Overall, the work centres on movement, both the imagined movement in the words and the physical movement used to create the marks

Tijdens mijn stage heb ik veel inzicht gekregen in de werkwijze van een interieurontwerpbureau. Wat me vooral opviel, is dat elk project een vaste flow volgt: van het uitwerken van de indeling en het 3D-model, tot het verfijnen van licht, materialen en uiteindelijk de render. Om dat proces helder in beeld te brengen, heb ik de bijgevoegde flowchart gemaakt. Zo'n art/work/flow vind ik echt super interessant om verder te ontdekken.
Software: InDesign, Photoshop en Viz Maker
Designed a kawaii heart volcano with pink lava to symbolize explosive love 💕🌋
Cute + romantic + fantasy vibes.
To understand these mediated pathways, we visited the Ahmedabad Municipal Corporation. Here, it became evident that PM SVANidhi applications are largely assisted.
Vendors typically arrive with documents, while agents or officials enter details into the online portal and facilitate the Letter of Recommendation. The scheme functions digitally, but its execution relies heavily on physical presence and human mediation.
Further research into documentation, delays, and processing time revealed that applicants follow different pathways based on the documents they possess, leading us to broadly classify vendor profiles and move towards a more structured research approach.
A quick look at the simplest and most effective way to change the color of any object in Photoshop. This method keeps everything clean and non-destructive using selections, masks, and Hue/Saturation. Full tutorial available on my channel.
Many people think AI accelerates design by removing obstacles, but it actually introduces a new kind of challenge that requires us to clarify our intentions.
When we can quickly generate many design options, weak ideas become obvious sooner, and strong ones require explanation. This is when real architectural thinking comes in. The tool doesn’t decide matters such as proportion, balance, or presence. It simply brings them to light.
What’s different now is how early these discussions start, whether in the studio or with clients. Instead of just defending a single idea, we can discuss why one choice feels right compared to another. This shift really changes how we work together. How do you think AI is changing design conversations within your teams?

In design and product work, feedback isn’t noise.
It’s context.
But not all feedback comes from the same place, and treating every opinion equally often leads to confusion instead of clarity.
Strong products are shaped by three distinct types of feedback—each serving a different purpose.
Client feedback helps define why a product exists.
It usually focuses on:
This type of feedback keeps the work grounded in reality.
Without it, design risks becoming visually impressive but strategically disconnected.
User feedback shows how the product actually feels.
It reveals:
User feedback prevents teams from designing based on assumptions.
It replaces guesswork with evidence.
Investor feedback looks beyond the interface and into sustainability.
It often focuses on:
This perspective helps balance creativity with longevity.
Each feedback source answers a different question:
The strongest decisions happen where all three overlap.
Feedback isn’t about approval.
It’s about reducing blind spots and building with intention.
Posted by Visionic
Exploring UX, UI, and thoughtful digital design.



From a sketch to the final brick. ✍️➡️🏢
Architectural drawings aren’t just one set of plans-they are an evolution. Swipe to see the 3 stages that turn a vision into a reality.
Systematic design = a flawless build. 📐
Know more: https://www.cadservicesindia.com/construction-documentation-services.php

This illustration highlights the complete design journey, starting from detailed line art to a fully colored flat vector scene. The street food stall is built using clean geometry, layered elements, and a warm color palette to create depth, character, and everyday realism. The composition balances structure with small details, bringing a simple street setup to life in a modern illustrative style.

Struggling with project coordination? 🤔 Design Collaboration with Revit is the answer! Our method ensures that all building data is centralized, allowing simultaneous work and seamless Multi-Discipline Integration (Architecture, Structure, MEP). Stop freezing the main project! ❄️
Master collaboration today: https://www.teslaoutsourcingservices.com/blog/design-collaboration-with-revit/
This week’s CTS lesson focused on critical self-reflectivity and encouraged me to examine how my assumptions and thinking habits shape the visual decisions I make in the design process. I learned that design is not only about producing outcomes but about understanding the thinking structure behind those outcomes.


During the field activity at Sim Lim Square, my group analyzed the existing logo of an Indonesian language school. The logo looked more like a dance academy sign, and this made me realize that such misunderstandings often happen when designers do not take enough time to explore and define the problem. This experience reminded me of the value of organizing my thoughts before designing, which helped me appreciate the role of the Double Diamond process.
Kenya Hara
Kenya Hara is a Japanese designer who focuses on perception and awareness.

While researching, I encountered a designer whose perspective aligned closely with the concepts from class. Kenya Hara stated that “design is not only a special technique to make forms and shapes and images. It also awakens people” (Hara). I connected strongly with this because Hara sees design as a process that reshapes how we think. His philosophy highlights the importance of questioning familiar assumptions and noticing what we usually overlook, which relates directly to the purpose of Week 6.

Hara’s project “RE DESIGN: Daily Products of the 21st Century” illustrates this clearly. In this exhibition, he reexamined everyday objects such as calendars and milk cartons, encouraging viewers to reconsider their habitual interpretations. His work shows how design can shift perception and reveal the assumptions we carry without realizing it.
Looking back, I noticed that I often rely on instinct and think something looks good without questioning why. This week taught me that reflecting on why I think a certain way is more important than focusing on the outcome itself. Moving forward, I want to question my assumptions more carefully and design with greater intention and clarity.
(309 words)
References / Image Sources :
Hara, Kenya. “15 Minutes with Kenya Hara: Words of Wisdom from Muji’s Celebrated Art Director.” Surface, 21 Nov. 2017, www.surfacemag.com/articles/kenya-hara-muji/?utm_source=chatgpt.com.
Hara, Kenya. “Kenya Hara | Members | Japan Design Committee.” Japan Design Committee, Japan Design Committee, https://designcommittee.jp/en/member/hara_kenya.html.

Behind the Scenes — Making the Dreamy Pack
People ask: how do you make “star-inspired” art that still feels original and legal? Short answer: careful design + creative constraints.
We start with mood research (stage energy, lamp glow, sculpting seams), then generate stylized images using AI prompts that favor painterly, silhouette, and posterized looks — not photoreal faces. Every image is refined by hand so the composition, textile detail (jacquard peony motifs, contour seams), and color balance feel luxe and soothing.
We also included a Prompt Pack so creators can experiment with the same visual language. Want a free demo prompt? Ask in the notes and we’ll drop one in the replies.
Important: art-inspired only — not official merchandise / not endorsed by Jennifer Lopez.







📝 Just received a commission for a business non-fiction manuscript.
They need a cover that shows clarity, confidence & possibility.
✔️ Minimal, clean, modern typography
✔️ Works for print, ebook & audiobook
✔️ Must look great even as a tiny thumbnail
Choose your favourite ✨
Vectorization involves transforming raster images—such as JPEGs or PNGs—into vector graphics that maintain their quality regardless of size. This process is vital for designing logos, illustrations, or any graphic elements that demand both versatility and precision.
Here’s a straightforward guide to vectorizing an image using Illustrator:
Explore our Brand Identity services, where templates and visuals align seamlessly with your corporate style and executive brand presence.

Our process transforms your inputs into clear, on-brand slides with hierarchy and focus - making messages easy to scan and discuss. Review our Pricing Plans.
Hello creators and design enthusiasts!
Today, I’m thrilled to share a glimpse into my latest vector icon set, focusing on themes that resonate deeply with problem-solving and innovation: precision, calculation, and the spark of an idea.
I believe that even the smallest visual elements can carry significant meaning. For this set, I wanted to create icons that clearly represent the methodical approach of measurement (the compass), the analytical rigor of computation (the calculator), and the exciting moment of inspiration (the lightbulb). These aren’t just shapes; they’re visual metaphors designed to communicate complex ideas at a glance.
The beauty of vector graphics, as always, is their versatility. These icons can be scaled up to a billboard or down to the tiniest button on an app, maintaining their crispness and clarity every time. They were crafted with meticulous attention to detail to ensure they’re not just aesthetically pleasing, but also highly functional.
Exciting news: This versatile icon set is now available for download! Integrate them into your projects and elevate your visual communication.
Download them here: 🔗 https://magipik.com/vector/geometric-compass-icon-design-for-precise-measurements-214365
What kind of stories do these icons tell you? I’m always fascinated by how different people interpret visual language. Drop a comment or reblog with your thoughts!



Ex-McKinsey Designers: Common Queries Answered
1. How do Ex-McKinsey Designers use prototypes in their design process?
Ex-McKinsey Designers use prototypes to visualize ideas, test concepts, and gather feedback early in the process. This iterative approach accelerates learning, uncovers challenges, and refines solutions before full-scale implementation. Prototyping fosters collaboration with stakeholders and ensures that the final outcome is user-focused, efficient, and aligned with business objectives.
2. What challenges do Ex-McKinsey Designers face when working with clients?
Common challenges include managing expectations, adapting to diverse organizational cultures, and balancing innovation with practicality. They often navigate complex stakeholder dynamics and address resistance to change. By combining strategic insight with structured communication, they overcome these hurdles, ensuring designs remain credible, impactful, and aligned with client goals.
3. How do Ex-McKinsey Designers deal with tight deadlines?
They manage deadlines through task prioritization, streamlined workflows, and clear stakeholder communication. By focusing on critical design elements and leveraging rapid prototyping, they maintain momentum without sacrificing quality. Their adaptability and disciplined approach allow them to deliver high-impact solutions efficiently, even under pressure.
4. How do Ex-McKinsey Designers ensure their designs are scalable?
Scalability is achieved through modular design principles, reusable components, and consistent design systems. Designers validate ideas with data-driven insights and iterative testing, ensuring solutions adapt to evolving needs. Close collaboration with cross-functional teams aligns design with long-term business strategies, making outputs flexible, sustainable, and future-ready.
5. Do Ex-McKinsey Designers work on branding projects?
Yes. Ex-McKinsey Designers often contribute to branding initiatives, applying strategic design expertise to strengthen identity, messaging, and visual presence. Their holistic approach ensures that branding aligns with organizational goals while resonating with target audiences, creating cohesive and enduring brand value.

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