#Wizards

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fnrrfygmschnish
fnrrfygmschnish

Saw a picture going around where someone had edited a screenshot from the USPS mail tracking website so that it said “an evil wizard has stolen your package.”

Of course, I had to draw that. 😅

I wonder what Froog was trying to order online. Was it something the Evil Wizards actually wanted, or were they just trying to find a way to mess with Froog that doesn’t involve getting close enough to him to get thrashed immediately…?

Dramatically announcing “I summon Pyramid Bug!” started out as a goof on Yu-Gi-Oh between me and my younger sibling, many many years ago.

Felt appropriate to have one of these goofy Evil Wizards doing that.

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majesticrevive69
majesticrevive69

aw thats so bittersweet i love it

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aconfusionofwizards
aconfusionofwizards

This week our Confusion encounters Chemistry!

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senator-rocket
senator-rocket

TOME OF MIGHT

WIZARD FIGHT

TAKE A STAND

WAR IN MAGIC BATTLE LAND

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rainbowholographicprince
rainbowholographicprince
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rhodrymavelyne
rhodrymavelyne

Review: Forrest House – E.M. Hamill

Review: Forrest House – E.M. Hamill
www.queerscifi.com
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timdnsbox
timdnsbox

Me and my friend disguised as ✨WIZARDS🔮

Wizards are funny. Especially lately (I began discovering all those memes with old wizards in sneakers etc.)

Plus, testing new brushes in search of my style in coloring and sketching

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mask131
mask131

During my quest for gay wizards in vintage fantasy (see my previous posts), I stumbled upon a document online, a philosophy doctorate thesis from 2007 called “Queer Spelling: Magic and Melancholy in Fantasy-Fiction”.

It is quite an interesting piece. There is a section about the vocal nature of magic in fantasy literature that I will reproduce below:

« Spell » comes from the Anglo-Saxons root as “Speech” and both refer explicitly to discourse ; yet both can also signal a piece of time, a moment, a hesitation, a charm, a backward or sideways glance. Chaucer was actually one of the first English writers to use spell in the sense of enchantment, since it had originally been used to signal discourse (such as the heroic boasts or speche in Beowulf). We cast a spell like casting a net, and a spell always involves descriptive rather than imaginary powers: we describe in coherent, elegant detail what we want to occur, and if our will is in the spell, then what we desire comes to pass. Nearly every fantasy novel within the ‘quest’ subgenre, popularized by Tolkien and continued by Eddings and Jordan, contains a magic-system that operates along these descriptive and grammatical lines. In The Belgariad, magic is called “the will and the word”, since characters summon up a reserve of psychic energy and then pour (cathect) it into a sign, a word. In traditional fantasy serials like Dragonlance or Forgotten Realms, wizards commit verbal spells to memory, infusing the words with hyper-cathected energy. Once the words are spoken, the energy is gone, and all memory of the spell vanishes from their mind, like mystical anamnesis. This is Raistlin’s particular struggle with melancholia, which I will discuss in Chapter Four.

Gandalf speaks “secret signs”, runes, mumbled incantations that the hobbits can never fully understand. Ged, the Arch-Mage of Ursula K. Leguin’s Earthsea series, learns the true-name of every living thing, and by knowing the name he gains power over the thing; he simply has to speak the name, the word, and the “thing” falls under his control (he runs into trouble later when someone learns his true-name). Merlin, in Malory’s Morte d’Arthur, makes the mistake of falling in love (or lust) with Nymue, only to have his own magic words used against him when he is trapped in a crystal cave. Finally, in Diane Duane’s Young Wizards series, magic is ordered and conveyed by an infinitely complex dialect, aptly, “The Speech”: a language with a name for everything, living and non, sentient and inanimate. Spells are accomplished not by simple words flung into the proverbial darkness, but through flawless description, a dictation of terms and possibilities that resembles a physics experiment. If one syllable is wrong, if the spellcaster confuses the nominative with the dative case, or forgets an accent, gravity could reverse itself, or the universe could stop expanding.

The document is filled with little interesting passages highlighting the “queerness of fantasy”, passages that can become a tight-rope exercise when the author wants to talk of a gay metaphor or subtext dealing with a character they have to point out they know is not queer in any way (like Gandalf).

Here are two extracts, for example:

Like witches, homosexuals must be recognized if they are to be controlled ; but to recognize too quickly or too easily, to associate oneself too intimately with the enemy, can risk exposure – it takes one to know one. Similarly queer subjects must cast a spell of mimicry and mimesis in order to survive in a world that excludes them, but if they cast the spell too well, they risk annihilating themselves, and if they cast it too poorly, they risk a potentially fatal exposure themselves. A wizard’s mournful sight allows her to look beyond the grid of human relations, and this is a lonely vantage point. Every wizard, at some point, wishes for the simplicity of being normal ; of being named, counted and ordered within an institutional structure.

[…]

But wizards are also exiled, strange, outlawed, peculiar. They work on the world but not necessarily in the world, since the world (even the fantastical medieval world, with all of its meticulous structural designs and laws) refuses to accept them. Even in fantasy, the wizard is queer ; so the wizard, in a sense, […] makes the fantasy queer.

It is the “magic is inherently queer” talk that can be found around, from literature studies to mythology analysis. The thesis is also very central on the idea of melancholy, claiming the fantasy wizard is by definition a manifestation of melancholy and tying it to their queerness (basically a pretty and educated way to say wizards in classic fantasy books were the “sad, suffering, miserable gay” type of gay). There is this interesting description of the inherent gloom of fantasy wizardry:

All wizards have an aspect of sadness to them, a “style” of mourning. Gandalf mutters to himself, sticks to the shadows, smokes his pipeweed ; Raistlin clutches his staff, cowers from any human touch, sees death in everyone’s face ; Marron, the boy-wizard of Chaz Brenchley’s Outremer novels, is terrified of his own power, wounded and violated by the magic that colonizes his body ; even Seregil, the master-thief of Lynn Flewelling’s Nightrunner trilogy, is a wizard of sorts, a charmer of locks and weaver of lies who nonetheless experiences lack and theft wherever he turns, even as he is forced to steal from his own house, his Heimlich.

Also there is an entire chapter dedicated to comparing the brotherhoods of wizards and the drag queen sisterhoods? Reading Gandalf’s journey and evolution throughout the Legendarium through the lense of the Houses from “Paris is Burning?” And speaking of readings, comparing reading out of spellbooks with the actual “readings” of the shows? It is… It is this type of bold move you know is definitively not it but is too wild not to go along and makes a lot of sense when you find the right angle.

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drax-the-vampire-king
drax-the-vampire-king

Im gonna go rob a wizard let me know if you want me to grab you anything.

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untilcupid
untilcupid

ok i’m loving the tank rn but this is ridiculous

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prismatica-the-strange
prismatica-the-strange

The Wizard, The Wolf, and The Witch | Chapter 1

Warnings: 18+, Spiders, sex in later chapters (with oc no. 3)

OC x OC

Word Count: 1.5k

Banner by @jiyascepter | Dividers by @tsunami-of-tears

Summer has not long passed, and The Wood Without End is blanketed with the warm colors of autumn.

Vibrant yellows and fiery reds paint the trees, setting the underbrush aglow, as sunlight shines through each leaf like stained glass.

The air is sweet with the smell of damp earth and decay, as leaves kick up beneath the feet of a young witch. Her wide-brimmed hat blocks the sun from her eyes as she scans the mossy ground for mushrooms and acorns.


[[MORE]]

The forest around her hums with life, pixies playing on falling leaves, silk spiders weaving webs and spinning cocoons for the coming winter. She can feel the air buzzing with energy- even the trees seem to be vibrating with the day’s potential.

She’s knelt in the dirt beside a fallen log, carefully picking through a patch of mushrooms, when she hears heavy boots not far down the path. Her eyes light up when she sees who it is that dares intrude on her solitude.

“Papa!” Mushrooms long forgotten as she jumps into the arms of her father, an old, Grey-haired man with a well-groomed beard, and a stern look about him that softens at her sudden embrace, even as his bag hits the ground.

“Hello, my dear, Calysta,” He grins, pressing a kiss to the side of her head. He hums in contentment at being home, “Two weeks is far too long to be away.”

“I missed you too,” She pouts, “I hate when you’re not around.”

“And I hate not being here, so I would say we’re a perfect pair, you and I.” He glances over at her abandoned basket, “What was it you were doing before I so rudely interrupted? Looking for fresh ingredients for a new spell?”

“Mushrooms, for dinner,” She corrects, and he finally sets her back on her own feet, “And acorns, for a project.”

He snaps his fingers, his bag jumping up into his hand at the command, and she retrieves her basket. She takes his offered arm, leaning into him as they make their way back to the cottage.

“I made friends with this lovely white birch the other day,” She grins up at him, “I complimented her beautiful foliage and handsome branches, and she shivered, raining down the bewitching leaves around me.”

Volous sighs.

“And what have I told you about speaking with the trees?”

She shrinks slightly at his chiding tone, “To not to, but papa-”

“And why not?”

She huffs and looks down at her feet, “Because they are ancient beings who have different societal norms than us.”

“And?”

“And,” She groans, “If one were so inclined, they could petrify me or turn me into a creature of their domain.”

She’s been lectured on the topic more times than she can remember. Most trees are rather benevolent, but, in this forest, the trees are old- older than most humans, and their power rings stronger.

“Oh, but she was just so pretty, Papa! It felt rude to not say anything!”

He chuckles, shaking his head as he squeezes her hand, “And how did you know it was a girl?”

“Well-” She pauses, worrying her lip between her teeth as she thinks, a habit she has had since she was small, “I suppose I just did.”

Of course she did. Even when she was a child, she was more in tune with nature than anyone he’d ever met or read about- save for perhaps the gods of old, whose ancient magics still swirl amongst the branches of the Wood Without End.

“And what of your studies?” He asks, an amused smile behind his whiskers, “Or were you too preoccupied making new friends to even touch your books?”

“I studied,” She insists, “… some.”

She perused the transmogrification lesson he’d laid out for her, but quickly found herself bored. She had already mastered the subject in practice, but the technicalities of it confused her; all the talk of rearrangement and sub-particles always became jumbled and blurred in her mind. She found that simply doing it was easier, so that is what she did, but her father insisted she learn the work behind the spell so she could truly understand it.

“Well, at least the house is still standing,” He comments as the clearing with the small stone cottage comes into view. The gardens look healthy, the windows of the greenhouse intact, and smoke curls toward the sky from the fireplace inside. The house, of course, is far larger on the inside, with an expansive library, many guest rooms- though they never use them- and a workshop made just for her, identical to his. “Small blessings.”

He laughs heartily when she elbows his ribs; she has been the only one to manage such a reaction from him in many years.

“Come along, I’m starved of your cooking and am in need of a hot bath.”

The sitting room is warm from the crackling fire in the magnificent mantle to their right.

His royal blue traveling cloak slips from his shoulders and hangs itself up on the peg by the door- that has been empty since he left- as he toes off his boots.

“Any trouble from any of our neighbors?” He asks as he makes his way to the washroom.

“The wood was quiet.” She calls back, her skirt flaring around her when she spins on her way to the kitchen, before the thick brown fabric and simple petticoat settle back just below her knees, “No mortals, no disturbances.”

“Good.”

She hums to herself as she prepares mushrooms and vegetables for their dinner, the stew pan with the night’s roast still cooking in the oven in the hearth from earlier in the afternoon. The rest will be sauteed closer to serving time, so she starts work on dessert.

She loves her father, but he has never been the best chef- ironic for such a skilled potion maker- so she gladly took up the task as soon as he let her. Normally, she doesn’t use magic when preparing food, but she finds that it makes baking far easier.

Soon, the sweet smell of honey cakes, courtesy of their kept bees, fills the house.

“I swear, I’ll have to let my clothes out again if I keep letting you at the stove.” Volous sighs, the smell of travel washed away. He laughs when he snatches one of the small cakes, and she tries to slap his hand away.

“You’ll spoil your dinner!” She scolds, as he takes half of it in his mouth, “And after all the work I put in, too!”

He motions her closer, his mouth too full to beckon her as he retrieves his bag. He digs inside for a moment before holding out a handful of various ribbons for her that he picked up in whichever town he’d been dragged to.

“M- and these,” He manages through chewing when she takes the gift, pulling out a few small vials.

“Is that dye for my spider silk?!” She gasps, ribbons fluttering to the floor as she snatches them away. She squeals happily and wraps her arms around him, her feet leaving the ground when his bag lands on the sofa and her hugs her back, “Thank you, thank you, thank you!”

The fire burns low, dishes washed, and honey cakes devoured, Volous looks far more at home than when he returned, reclined on the sofa in his monogrammed house robe and slippers, an intricately carved pipe in his hand as he peruses an old tome.

Calysta sighs, running a brush through her long hair, now freed from her braids, as she all but sits atop his lap.

“Hello there, darling,” He grunts, adjusting her to sit more on his legs so she can lean back against his chest- much like how she did when she was little. He kisses the side of her head, resting his chin on her to continue reading.

“What are you reading?”

He hums, flipping the page before answering, “Summoning and teleportation.”

“What do you want to summon?”

“I don’t,” He says gently, “These trips to and from the villages would be far less strenuous if we had dedicated teleportation circles. I’m not as young as I used to be.”

“You have at least another two centuries in you.” She frowns, “You’ll outlive us all.”

“Of course I will,” He agrees, pressing another kiss to the top of her head, “I would never leave my girl alone.”

He suspects she’d been reading along and fell asleep when her body relaxes further against him.

“Oh…” he chuckles and sets his book aside before hefting her up in his arms, “To bed with you, little one.”

He climbs the stairs, the door to her bedroom opening for him. The room is dark with vines of glowing flowers growing in the rafter, casting a faint pink glow about them. He sets her in bed, tucking her up tight, and kissing her forehead as if she were still a child, before stepping out and leaving the door open, just a crack.

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shreekofjoy
shreekofjoy

A Magic School story, except most of the book is rules lawyering by John Wizardguy trying to get an extra 2000 gold pieces in research grants.

Oh, and the students are cramming for exams. All the time.

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tin-cant-offical
tin-cant-offical

today me and a friend had a conversation about if you could be too whimsical, which turned into could there be evil whimsy, and that full on turned the conversation on to the topic of wizards.

we then talked about wizards and magic for about an hour

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mouse-fullmoon
mouse-fullmoon

Is anyone here an expert on wizards? Im trying to find out if im cursed, god knows ive done some shit to a few local wizards.

Completely unrelated, my blood is now speaking to me

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nighttimepatrons
nighttimepatrons

I NEED TO MAKE A WIZARD ROBE WITH BIG GOOFY STARS ON IT AND HAT

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the-ominous-wizard
the-ominous-wizard

Original image art by Artec ©Artecy Cross Stitch

I really hate ukg

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blockedragon
blockedragon

The movie ‘Dragonslayer’ is free on YouTube as of writing this post. You want to watch a dragon slaying/wizard/80s fantasy movie? Here ya go:

Vermithrax herself is very interesting from a historical standpoint. She is arguably THE foundational dragon. And IMHO, her design still holds up when put besides the likes of Drogon or Smaug. In some ways (namely the wing anatomy) she outclasses them.

Big names like GRRM and Guillermo del Toro have also referred to her as their favorite dragon, which is kinda neat.

Go watch the dragon movie!

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blastedking
blastedking

Stargazer Part II - Chapter 4

Someone’s feeling a little blue - or well, purple in his case. 😔

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aconfusionofwizards
aconfusionofwizards

A wizard in a blue robe and hat stands before a brick wall. His white beard connects with his hair and reaches his mid chest. He has one hand up, pointer finger extended, and his mouth is open and speaking. His eyebrows are so bushy you cannot see his eyes. In gold at the bottom, handwritten text says, “Ineth,” which is the wizard’s name.ALT

Ineth, the oldest wizard. He has a tendency towards being judgmental, but he’s learning to channel it in productive and polite ways.

See the webcomic here!

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cass-iter-ite
cass-iter-ite